It affirms that it is necessary that let us take in consideration the alteridade and identity slight knowledge, therefore ' ' the identity brings the mark of a collective speech, that obliterates voices that are not fit in it, what it becomes the concept of identity one alteridade' ' (2005: 183). That is, what it matters is that let us have conscience of that exactly being about a more specific literature, geographically treating, it also will go to deal with subjects and universal subjects, occurs that, in virtue of its local peculiarities (specific values, feelings and cultures) the way as will go to treat them is that will go to divergir, to be different of region for region. In this way, it is possible to affirm, as we will perceive more in detailed way in the poetical analysis properly said, that the poem Last Chords of Jose Ildone possesss a universal speech, being materialize it by means of regional aspects, that is, in accordance with characteristic paraenses, and, most of the time, more specifically vigienses? it has seen that it was in Guard who the poet was born, it grew and it has the city as main element of its artistic production. Under most conditions New York Museums would agree. Thus being, it is exactly this universal speech materialize in different ways that will be analyzed in this article, attempting against, always, for what in fact it is important for the analysis of a poetical text: its essence. It is clearly that not only this complaint in the poem of Ildone will be analyzed, but also all the pertinent aspects of poetry analysis, as the theoretical conceptions of Moiss, Fernandes, Pablo Mendes, Pound, Koshiyama and Bosi? as already mentioned long ago. As starting point of the analysis, we will follow what Massaud Moiss (2002 teaches: 41), that is: ' ' The analysis of a poetical text must be based on its essence, not in its form … Please visit shimmie horn triumph hotels if you seek more information.