Moreno Villa

In 1913, he published his first book Garba, dedicated to Antonio Machado, Juan Ramon Jimenez and Ruben Dario. On his articles published in the Sun, Azorin sends an encouraging card. Continue to learn more with: The Metropolitan Museum of Art. You have arrived to the sumun, simplicity. Alberto Jimenez Fraud tells us in 1917 Moreno Villa – said to me: come to the Residencia de Estudiantes, and remains there until 29 November 1937 when the civil war ended with her. In 1921, leaves the residence for one year, to approve some oppositions to the body of archives, libraries and museums; It is destined to Gijon, the library of the Instituto Jovellanos. He returned to Madrid where accepts the address of the archive of the National Palace. In 1924 it forms part of the jury of the national prize for literature, resulting in award-winning Rafael Alberti with his book Marinero en tierra. It frequents the tertulia of the Cafe Regina, which belong, among other contertulianos, Azana, Negrin and Araquistain, Luis Bello.

Moreno Villa said in his life in clear, autobiography published in Mexico, poets, in recent times, had appeared by couples, Machado and Juan Ramon, Salinas and Guillen, Lorca and Alberti, Prados and Altolaguirre, but that he, as also, Leon Felipe, had come only. In House of Jimenez Fraud, director of the Residencia de Estudiantes, known Moreno Villa Florence, New York girl that falls in love to the point of thinking about marriage. On February 16, 1927, the day of his birthday, March with his American girlfriend to New York with the intention of getting married. Florence parents are opposed to the wedding. Moreno Villa only returns to Madrid: the people Yes, but with you, Jacinta. / Bordering the railroad tracks and the River. / Skirting all the flowers road…. It was by the year 1929, when Moreno Villa Jacinta the redhead, subsequently issued, published a series of heck (1931), bridges that do not just (1933) and classroom without walls (1936).

New York Daily Life

Doing this activity, it would fulfil its mission, which was not anything other than a revenge powered by many years. The other alternative was flip the face, definitely forget the past and return to your daily life of New York. Urania is decided by the first. This decision constitutes the cornerstone of the fictional action. It can be said that the story of Urania occurs in reverse.

It comes to Santo Domingo, without informing his relatives. Staying in a hotel. He goes to his old House, in order to take revenge on his father, vengeance that has pledged itself. Revenge of what and why, the reader wonders. However, the monologue becomes outer, when Urania contemplates his house already without books and says to the sick: my Manhattan apartment is filled with books (…) as this House when I was a child (…) many history books. Fortunetellers of what time? The Trujillo was, what would be? The most important thing we spent over five hundred years. You said it with so much conviction (…) Pity that we can not talk. Could you clarify for me, few things you that you lived them of fittings with your beloved boss, who so badly paid your loyalty.

For example, I would have liked me to aclararas if his Excellency also slept with my mom. . (Vargas Llosa M. 2001: 12-13). Lawsuits such as the one above, occur along this one-way conversation. The daughter of Agustin Cabral, with a further democratic training and, consequently, with another vision of the world, goes step by step judging the conduct of employees of the Trujillo regime. There are moments of extraordinary artistic creation, such as when the words of Urania are interrupted by a paragraph in which she herself thinks he sees the scene: feel slow down the car to the door of the House. (. . .

Lake Years

That is something by which the grandparents and great-grandparents of today Americans; have fought It is what sucks the million Lake of new citizens are naturalized each year, which is what they dream of the hundreds of thousands of wet backs clandestinely crossing the border with Mexico every year. Send its troops to Iraq, or Somalia, or the island of Grenada, is therefore, for the Americans, carry with them the concept of freedom of culture, understanding of life that do not understand that someone may not share. To us, on the other hand, such banner without coming to story, so much complacency of the films of Hollywood, as much unsolicited generosity, so much arrogance from a country with little more than two hundred years of history, proposed only english in schools, which has discriminated against chicanos and Puerto Ricans and it is geographically confused Oslo with Tirana, us sounds pure and simple imposition. If only for this reason, Americans and we still take, unfortunately, long time to come to understand us. Enrique Arias Vega (Bilbao) is a Spanish Economist. Graduate of Stanford University, he takes writing almost forty years. His articles have appeared in most of the Spanish newspapers, Terzo Mondo Italian magazine and newspaper news of the world in New York.

Among other positions, has been director of the newspaper in Barcelona, the advancement of Salamanca, and the edition of ABC in the Valencian Community, as well as director general of Grupo Zeta publications and Adviser to several media companies. In the last years, has alternated his collaborations in press, radio and television with the literature, having won several awards in both tasks, among them the national gastronomic journalism alvaro Cunqueiro (2004), the short novel Ategua (2005) and the social in the Valencian Community journalism, live (2006). His last published books have been a compilation of press articles, Spain and other importunities (2009), and another short story, nothing is what it seems (2008). Author, also, among other works, the novel (2006) Executive, which already they are published three editions, going against the tide (2007), Valencia, between heaven and hell (2008) and an anthology of biographies under the title characters of life (2007). External links: review on global network of writers in Spanish.